Notebooks
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Cash Book F/S Z Size (FIS [FSACCTC4Q82])
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Cash Book F/S Size (FIS [FSACCTC3Q82] )
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Muster Roll, Blue Cover (FIS [FSCLMSTR])
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Stock Register 4 Quire (FIS [FSCLSTOCK4Q] )
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Stock Register 2 Quire (FIS [FSCLSTOCK2Q] )
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Hardcover NoteBook) FIS [FSNBHCA5100E06] )
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Executive NoteBook – Black/Brown (FIS [FSNBEXSL1321BK])
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Miquelrius 1786 Flexible Notebook 152 X 210 100 Hor W/Elestic Red
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Miquelrius 1442 Flexible Notebook Pocket Plain C/Goma Black
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Miquelrius 48910 Notebook
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Miquelrius 48928 Notebook-4 A4 120 Hor + Plain Cbevol Organisation
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Miquelrius 48836 Notebook-4 A4 120 Hor Chess Red
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Miquelrius 48834 Notebook-4 A4 120 Hor Chess Multicolour
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Miquelrius 48829 Notebook-4 A4 100 Hor Screen Green
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Miquelrius 48828 Notebook-4 A4 100 Hor Screen Red
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Miquelrius 48826 Notebook-4 A4 100 Hor Screen Orange
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Foldermate [41078] 3 Subject Notebook A4 120 Sheets 80 Gsm
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Moleskine Classic HardCover Plain Notebook 240 Pages – 13X21cm – Red
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Moleskine Classic HardCover Ruled Notebook 240 Pages – 13X21cm – Red
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Moleskine Classic Collection Hardcover Squared Black Notebook – Pocket
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Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.