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Miquelrius 48829 Notebook-4 A4 100 Hor Screen Green
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Miquelrius 48828 Notebook-4 A4 100 Hor Screen Red
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Miquelrius 48826 Notebook-4 A4 100 Hor Screen Orange
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Foldermate [41078] 3 Subject Notebook A4 120 Sheets 80 Gsm
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Conqueror Paper Brilliant White Laid A4 -500 Sheets-100 Gsm
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Conqueror Paper Cream Wove A4 -500 Sheets – 100 Gsm
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Paper One A4 Size Paper 100 Gsm/100Sheets PKT
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Excel Pro Paper- A4 – 500 Sheets – 160 Gsm
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Double A Paper 80 Gsm- A4— 1 REAM – 500 SHEETS
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Hp A4 Paper – 80 Gsm- 1 REAM- 500 SHEETS
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Funbo Creppe Paper 200 X 50 cm FO-CP80
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Moleskine Classic HardCover Plain Notebook 240 Pages – 13X21cm – Red
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Moleskine Classic HardCover Ruled Notebook 240 Pages – 13X21cm – Red
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Moleskine Classic Collection Hardcover Squared Black Notebook – Pocket
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Moleskine Hardcover Squared Black Notebook – Pocket
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Moleskine Classic Collection HardCover Plain Black Notebook – Pocket
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Moleskine Classic Collection HardCover Ruled Black Notebook – Pocket
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Moleskine Soft Cover Plain Black Notebook – Pocket
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Moleskine Soft Cover Ruled Purple Notebook – Pocket
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Grandluxe 332761 Catalyst 5 Subjet Note book – A4
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Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.